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Faun   Listen
noun
Faun  n.  (Rom. Myth.) A god of fields and shipherds, diddering little from the satyr. The fauns are usually represented as half goat and half man. "Satyr or Faun, or Sylvan."






Collaborative International Dictionary of English 0.48








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"Faun" Quotes from Famous Books



... appeared so much later than "The Marble Faun," it was conceived and, in another form, begun before the Italian romance had presented itself to the author's mind. The legend of a bloody foot leaving its imprint where it passed, which figures so prominently in the following fiction, was brought to Hawthorne's notice on a visit to Smithell's ...
— Septimius Felton - or, The Elixir of Life • Nathaniel Hawthorne

... twisting and screwing the keys, he played some Bohemian airs, without the organ to hold him back, and that went better. The boy was so restless that I had not had a chance to look at his face before. My first impression was right; he really was faun-like. He had n't much head behind his ears, and his tawny fleece grew down thick to the back of his neck. His eyes were not frank and wide apart like those of the other boys, but were deep-set, gold-green in color, and seemed sensitive ...
— My Antonia • Willa Sibert Cather

... solstice my steps are drawn To the shade of the forest trees; To revel with Pan in his secret haunts, To pipe mazourkas while satyrs dance, Or lull to soft slumber some favorite faun And fascinate strange wild birds ...
— Poems - Vol. IV • Hattie Howard

... very long for J—— to work through the fifty pages of Keats reprinted in Professor Hidden Page's anthology; and then he, a lone and laughing faun among that pack of stern sophomores—so flewed, so sanded, out of the Spartan kind, crook-knee'd and dewlapped like Thessalian bulls—sped away into thickets of Landor, Tennyson, the Brownings. There I, an unprivileged and unsuspected ...
— Plum Pudding - Of Divers Ingredients, Discreetly Blended & Seasoned • Christopher Morley

... her hat had slipped back and showed her short brown curls of hair, strong regular features, and flexile scarlet mouth laughing upward like a faun's. She had sweet dark eyes, a little too small ...
— Stories By English Authors: Italy • Various

... the Wood, was an elderly piping faun and performed with astonishing agility a sword-dance over a stick crossed with his whistle. Elsewhere as Mr. Coade he played very engagingly the part of the only character who had made such good ...
— Punch, or the London Charivari, Vol. 153, Oct. 24, 1917 • Various

... play, your sonatas in A, Heedless of what your next neighbour may say! Dance and be gay as a faun or a fay, Sing like the lad in the boat on the bay; Sing, play—if your neighbours inveigh Feebly against you, they're lunatics, eh? Bang, twang, clatter and clang, Strum, thrum, upon fiddle and drum; Neigh, ...
— Fly Leaves • C. S. Calverley

... endeavoring to prove that," said Richard gently. Then they went to Welshpool, ride and tie on Gwyllem's horse. Tongue loosened by the claret, Gwyllem raved aloud of Branwen, like a babbling faun, while to each rapture Richard affably assented. In his heart he likened the boy to Dionysos at Naxos, and could find no blame for Ariadne. Moreover, the room was comfortably dark and cool, for thick vines hung about the windows, rustling and ...
— Chivalry • James Branch Cabell

... but if we reason, I shall reason against their existence." "Of course," he says, "I believe in divination, as I have always been taught to do. But who knows whence it comes? As to the voice of the Fauns, I never heard it; and I do not know what a Faun is. You say that the regular course of nature proves the existence of some ordering power. But what more regular than a tertian or quartan fever? The world subsists by the power of nature." Cotta goes on to criticise the Roman pantheon, ridiculing the idea of such gods ...
— Ten Great Religions - An Essay in Comparative Theology • James Freeman Clarke

... Smith was the first, I believe, to compare his form to that of a satyr or faun; this comparison is rendered more probable by the fact that the modern inhabitants of Chaldaea believe in the existence of similar monsters. A. Jeremias places Eabani alongside Priapus, who is generally a god of the fields, and a clever soothsayer. Following ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 3 (of 12) • G. Maspero

... Lorenzo occurred while he was modelling the head of an aged faun. His magnificent patron stopped to watch him, pointing out that so old a creature would probably not have such a fine set of teeth, and Michelangelo, taking the hint, in a moment had not only knocked out a tooth or two ...
— A Wanderer in Florence • E. V. Lucas

... male figures stand separate and naked as in a bas-relief. Some are leaning against a vine-wreathed tub; a satyr, with acanthus-leaves growing wondrously out of him, half man, half plant, is emptying a cup; a heavy Silenus is prone upon the ground; a faun, seated upon the vat, is supporting in his arms a beautiful sinking youth; another youth, grand, muscular and grave as a statue, stands on the further side. Is this really a bacchanal? Yes, for there is the paunchy Silenus, there are the fauns, there the vat ...
— The Contemporary Review, Volume 36, September 1879 • Various

... Faun, in which the old Greeks believed, was re-created within him, and where could a better place for its re-creation have been found than in this vast green wilderness stretching from east to west a thousand miles, ...
— The Keepers of the Trail - A Story of the Great Woods • Joseph A. Altsheler

... way to Rome, again while in Rome, afterwards to revive my impressions of Rome. Recently I read it again because I wanted to." In this historic setting, Hawthorne places four characters: Donatello, the faun, Miriam, the beautiful and talented young artist, Kenyon, the American sculptor, and Hilda, the Puritan maid who tends the lamp of the Virgin in her tower among the doves and makes true copies of the old masters. From the ...
— History of American Literature • Reuben Post Halleck

... would I were In Grantchester, in Grantchester!— Some, it may be, can get in touch With Nature there, or Earth, or such. And clever modern men have seen A Faun a-peeping through the green, And felt the Classics were not dead, To glimpse a Naiad's reedy head, Or hear the Goat-foot piping low ... But these are things I do not know. I only know that you may lie Day long and watch the Cambridge ...
— Georgian Poetry 1911-12 • Various

... the orchestra rings out the Marseillaise; it is eight o’clock. The sky is wild and threatening. An unseen hand strikes the three traditional blows. The Faun Lybrian slips down from a branch of a great elm, and throws himself on the steps that later are to represent the entrance to the palace of Agamemnon, and commences the prologue (an invocation to Apollo), in the midst of such confusion that we hear hardly ...
— The Ways of Men • Eliot Gregory

... was the development of the soul through the experience of sin. There is a haunting mystery thrown about the story, like a soft veil of mist, veiling the beginning and the end. There is even a delicate teasing suggestion of the preternatural in Donatello, the Faun, a creation as original as Shakspere's Caliban, or Fouque's Undine, and yet quite on this side the border-line of the human. Our Old Home, a book of charming papers on England, was published in 1863. Manifold experience of life and contact ...
— Brief History of English and American Literature • Henry A. Beers

... emerge. There were green spaces among the heather where the fairies danced, and every scaur and linn had its own familiar spirit. I peopled the good green wood with the wild creatures of my thought, nymph and faun, naiad and dryad, and would have been in nowise surprised to meet in the leafy coolness ...
— The Trail of '98 - A Northland Romance • Robert W. Service

... yellow tints.'" Vischer also made fun of Zimmermann's enthusiasm for the aesthetic value of the sense of touch. "What joy it must be to touch the back of the bust of Hercules in repose! To stroke the sinuous limbs of the Venus of Milo or of the Faun of Barberini must give a pleasure to the hand equal to that of the ear as it listens to the puissant fugues of Bach or to the suave melodies of Mozart." Vischer defined the formal Aesthetic of Zimmermann as a queer ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce

... Woodville. Before they saw him, Sylvia got up and walked quickly towards the Row with the dog. Woodville looked after her, and then strolled slowly towards the bridge. How well the sylvan surroundings suited them! Sylvia was a wood nymph in a fashionable dress; Woodville, a faun in Bond Street clothes. Chetwode smiled to himself. Then for a moment he was surprised.... It seemed odd to see the secretary so far from his usual haunts. Why should Sylvia sit in Kensington Gardens ...
— The Twelfth Hour • Ada Leverson

... little uncertain, he entered the studio where, scarcely a year ago, Reginald Clarke had bidden him welcome. Nothing had changed there since then; only in Ernest's mind the room had assumed an aspect of evil. The Antinous was there and the Faun and the Christ-head. But their juxtaposition to-day partook of the nature of the blasphemous. The statues of Shakespeare and Balzac seemed to frown from their pedestals as his fingers were running through Reginald's papers. He brushed against a semblance of Napoleon that was standing on ...
— The House of the Vampire • George Sylvester Viereck

... He was like a faun pleased when she would go with him over his hothouses, to look at the green and pretty plants, at the pink primulas nodding among their leaves, and cinarrias flaunting purple and crimson and white. She asked about everything, and ...
— The Rainbow • D. H. (David Herbert) Lawrence

... sat down in that celebrated room, immortalized by the Gladiator, the Faun and the Antinous, scales seemed to fall from her eyes and a weight from her heart. Life meant something more than the mere play she delighted in, or the labor she despised. She took it in in this way. She realized, first of all, the enduringness of the marbles. ...
— Mae Madden • Mary Murdoch Mason

... understand in the least. So with a strange, slightly malignant triumph, the men sing all the verses of their song, sitting round the walls of the little parlour. Their throats move, their faces have a slight mocking smile. The boy capers in the doorway like a faun, with glee, his straight black hair falling over his forehead. The elder brother sits straight and flushed, but even his eyes glitter with a kind of yellow light of laughter. Paolo also sits quiet, with the invisible smile on his face.' Only Maria, large and active, prospering now, ...
— Twilight in Italy • D.H. Lawrence

... sand; and of the sea; and she felt the fresh free air of those open spaces rouse her again to a gladness in life not often known to ladies idling on languid afternoons in the sickly heat essential to the wellbeing of citron, orange, and myrtle; beloved of the mythical faun, but fatal to the best energies of the human race. And by a very natural transition, her mind leaped on to that morning in church when the sense of loneliness which comes to all young creatures that have no mate resolved itself into ...
— The Heavenly Twins • Madame Sarah Grand

... embodied melancholy of Hamlet in the brooding Lorenzo of the Medici Chapel,—from the stone despair, the frozen tears, as it were, of all bereaved maternity, in the very bend of Niobe's body and yearning gesture, to the abandon gleaming from every muscle of the Dancing Faun,—from the stern brow of the Knife-grinder, and the bleeding frame of the Gladiator, whereon are written forever the inhumanities of ancient civilization, to the triumphant beauty and firm, light, enjoyable aspect of Dannecker's Ariadne,—from the unutterable joy of Cupid and Psyche's ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various

... shepherds, the old god Pan,[1] Him of the reeds by the river; Afeared of his faun-face, Arcadians ran; Unsoothed by the pipes he so deftly could play, The shepherds and travellers scurried away From his face by forest ...
— Punch, Or The London Charivari, Vol. 103, Sep. 24, 1892 • Various

... struck me were the dying Gladiator, the Antinous, the Flora, and the statue called (I know not on what authority) the Faun of Praxiteles. ...
— The Diary of an Ennuyee • Anna Brownell Jameson

... have now learned to know it, is so strongly marked that we can hardly go wrong in ascribing them both to him. Both exist in numerous copies. Our illustration of the first (Fig. 153) is taken from the copy of which Hawthorne wrote so subtle a description in "The Marble Faun." The statue is somewhat restored, but the restoration is not open to doubt, except as regards the single pipe held in the right hand. No animal characteristic is to be found here save the pointed ears; the face, however, retains a suggestion of the traditional satyr-type. ...
— A History Of Greek Art • F. B. Tarbell

... leaned forward on the table, scanning the young face opposite him: "A year ago, Velasco, your chin was round and full; from the look of your mouth one could tell that you had lived and enjoyed. You were like the Faun, happy and careless, and your art was to you like a plaything. You cared only for your Stradivarius, and when you were not playing, you were nothing, not even a man. All your genius was concentrated there in your brows where the ...
— The Black Cross • Olive M. Briggs

... was its sprightlier tone, When Cheerfulness, a nymph of healthiest hue, Her bow across her shoulder flung, Her buskins gemmed with morning dew, Blew an inspiring air, that dale and thicket rung!— The hunter's call to Faun and Dryad known! The oak-crowned Sisters and their chaste-eyed Queen, Satyrs and Sylvan Boys, were seen, Peeping from forth their alleys green: Brown Exercise rejoiced to hear; And Sport leaped up, and seized ...
— The American Union Speaker • John D. Philbrick

... yet nought o' the faun— A warmth is express'd in the shake o' his han'; His cog and his bed, or ought in his biel, The lonely will share frae ...
— The Modern Scottish Minstrel, Volume V. - The Songs of Scotland of the Past Half Century • Various

... several thousand specimens of ancient sculpture which have been found among the debris of former magnificence, many of which are the productions of Grecian artists transported to Rome. Among them are antique copies of the Cupid and the Faun of Praxiteles, the statue of Demosthenes, the Minerva Medica, the Athlete of Lysippus, the Torso Belvidere, sculptured by Apollonius, the Belvidere Antinous, of faultless anatomy and a study for Domenichino, the Laocoon, so panegyrized by Pliny, the Apollo Belvidere the work of Agasias of ...
— The Old Roman World • John Lord

... frigidarium, in the middle of which played a fountain of bright rose-color, emitting the odor of violets. There they sat in niches which were covered with velvet, and began to cool themselves. Silence reigned for a time. Vinicius looked awhile thoughtfully at a bronze faun which, bending over the arm of a nymph, was seeking her ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz

... when he could not have been lifted into a play. His movements, his words, his accent, his clothes, his facial lineaments were never commonplace, even when his motives often may have been. He was Debussy's Afternoon of a Faun; poetry and charm all the ...
— The Masques of Ottawa • Domino

... with glimmerings of gold, ivory, and moonlight. On a round black table there stood a golden bowl filled with moonlight-coloured velvety "palm" and "honesty"; from a black wall gleamed out the ivory mask of a faun's face; from a dark niche the little silver figure of a dancing girl. It was beautiful, but deathly. And Gyp, though excited always by anything new, keenly alive to every sort of beauty, felt a longing for air and sunlight. It was a relief to get close to one of the black-curtained ...
— Forsyte Saga • John Galsworthy

... Symbols of evangelists with half-human, half-animal eyes and wings, are interwoven with the leafy bowers of cupids. Grave apostles stand erect beneath acanthus wreaths that ought to crisp the forehead of a laughing Faun or Bacchus. And yet so full, exuberant, and deftly chosen are these various elements, that there remains no sense of incongruity or discord. The mediaeval spirit had much trouble to disentangle itself from classic reminiscences; and fortunately for the picturesqueness of ...
— Sketches and Studies in Italy and Greece • John Addington Symonds

... the scenes between the pair show an extraordinary advance on Mrs. Radcliffe's earlier art. The mysterious Monk who counteracts Schedoni remains an unsolved mystery to me, but of that I do not complain. He is as good as the Dweller in the Catacombs who haunts Miriam in Hawthorne's "Marble Faun." The Inquisition, its cells, and ...
— Adventures among Books • Andrew Lang

... "I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. I know, now, that when one loses one's good looks, whatever they may be, one loses everything. Your picture has taught me that. Lord Henry Wotton is perfectly right. Youth is the only thing worth ...
— The Picture of Dorian Gray • Oscar Wilde

... to Guido Reni, but whose authorship is now doubtful; to the doleful old church Santa Maria dei Capuccini, to see St. Michael and the Dragon by Guido Reni, in which they were especially interested, because Hawthorne made it a rendezvous of the four friends in his "Marble Faun," where so diverse judgments of the picture were pronounced, each having its foundation in the heart and experience of the speaker. They had been reading this book in the same way in which they had read "Romola" in Florence, and each girl was now the happy possessor of a much-prized copy, interleaved ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt

... of a Dancing Faun, with head and arms uplifted; every muscle seems to be in motion, and the whole body dancing. Another of a boy with head bent forward, and the whole body in the attitude of listening. Then there is a fine group of statuary representing ...
— Round-about Rambles in Lands of Fact and Fancy • Frank Richard Stockton

... from one locality to another, and it is rare to find perfect identity between insects which inhabit different regions, though often, at the first glance, no difference can be detected between them; besides, there is no point on the globe, where the enthomologic Faun is completly known, and although our museum has about eighty thousand kinds, our galleries do not include half that are seen in looking through the different collections of Europe. It results that, in all countries, travellers who occupy themselves with enthomology, ...
— Movement of the International Literary Exchanges, between France and North America from January 1845 to May, 1846 • Various

... underneath, Brian went up the smooth yellow path to where the statue of Hebe, holding the cup, seems instinct with life; and turning down the path to the right, he left the gardens by the end gate, near which stands the statue of the Dancing Faun, with the great bush of scarlet geranium burning like an altar before it. Then he went along the Wellington Parade, and turned up Powlett Street, where he stopped at a house near Cairns' Memorial Church, much to Mr. Gorby's relief, who, being like Hamlet, ...
— The Mystery of a Hansom Cab • Fergus Hume

... different ages, ranks, ways of life, their gayety linked them together, ruled out the differences, and made them closely akin, as they had been in Hermione's eyes when they danced upon the terrace. They did not watch the night. They were living too strongly to be watchful. The spirit of the dancing faun was upon them, and guided them down among the rocks and the olive-trees, across the Messina road, white under the moon, to the stony beach of Isola Bella, where Nito was waiting for them ...
— The Call of the Blood • Robert Smythe Hichens

... thrusting out his hat toward prospects of exceptional account and casting his frank blue eyes into her face between-times. Charmingly perfect teeth and a wonderful sweep of yellow hair. A highly civilized faun for her highly sylvan setting. Indifferent, perhaps, to her precious Trio; but there were other young fellows ...
— Bertram Cope's Year • Henry Blake Fuller

... with stiff fair hair and many freckles. But for his mouth a most unremarkable-looking person, for his eyes, quick as those of a lizard, were pale blue in colour, and small. But his mouth turned up at the corners in a peculiar and faun-like way, and gave much character to his face, which was otherwise ...
— The Halo • Bettina von Hutten

... turns into a swallow And flashes southward as the thickets blaze In awful splendour; I, who cannot follow, Confront the skies' unmitigated greys. The cynic faun whom I have known betrays A dangerous mood at night, and seems austere Beneath the autumn noon's distempered rays, In this, ...
— The Five Books of Youth • Robert Hillyer

... long night, With fleet foot glancing white, Shall I go dancing in my revelry, My neck cast back, and bare Unto the dewy air, Like sportive faun in the green ...
— A Friend of Caesar - A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. • William Stearns Davis

... curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile. At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune. The perron of the hotel is at the other end of the avenue; a couple of Caesars on either side of the door-window, from which the inhabitants of the hotel issue into ...
— The Newcomes • William Makepeace Thackeray

... 'What does the Faun mean,' he said, half aloud to himself, 'by telling me the Painted People have changed?' He caught sight of Una's yellow head. 'Have you seen a ...
— Puck of Pook's Hill • Rudyard Kipling

... hardly have traversed the passages of our underground railway system without being hurriedly aware in passing of a picture in reds and browns, representing a faun-like figure piping to an audience of three rather self-conscious rabbits. This pleasing group does not portray an actual scene from Autumn (LANE), but is rather to be taken as symbolic of the atmosphere of ...
— Punch, or the London Charivari, Vol. 152, June 20, 1917 • Various

... Ulysses, Sitting on the warm steps, Looking over the valley, All day long, have seen, Without pain, without labour, Sometimes a wild-hair'd Maenad— Sometimes a Faun with torches— And sometimes, for a moment, Passing through the dark stems Flowing-robed, the beloved, The desired, the ...
— Poetical Works of Matthew Arnold • Matthew Arnold

... and how clearly he could see everything of which he thought! Still and silent she lay and slept, her arm beneath the neck, her hair loosened, her eyes were closed, she breathed very softly—the air trembled within, it was red like the reflection of roses. Like a clumsy faun, imitating the dance of the nymphs, so the bed-cover with its awkward folds outlined her delicate form. No, no, he did not want to think of her, not in that way, for nothing in all the world, no; and now it all came back again, it could not be kept ...
— Mogens and Other Stories - Mogens; The Plague At Bergamo; There Should Have Been Roses; Mrs. Fonss • Jens Peter Jacobsen

... me the path, the wild-wood path That wanders deep in a dell, Where silence sleeps and sunbeams fain Would waken the slumber spell— For there the gods find the world again, Immortals of ancient lore, And time is gone, and a mad-glad faun Knows the glades of ...
— The Rose-Jar • Thomas S. (Thomas Samuel) Jones

... that I was a faun when the world was young. There are times when I feel the stirrings of my ...
— The Dude Wrangler • Caroline Lockhart

... the sun. The eyes are lifted to the Creator's with a wistful yearning. It is the look we sometimes see in the eyes of a woodland creature appealing for mercy. It is such a look as might belong to that imaginary being of the Greek mythology, the faun, half beast, half human. Thus Adam, still but half created, begins to feel the thrill of life in his members, and is aroused to action. He lifts his hand to meet the Creator's outstretched finger. The ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll

... she was a fairy, who for some offence was changed every Saturday to a serpent from her waist downward. I was of course familiar with Keats's Lamia, another imaginary being, the subject of magical transformation into a serpent. My story was well advanced before Hawthorne's wonderful "Marble Faun," which might be thought to have furnished me with the hint of a mixed nature,—human, with an alien element,—was published or known to me. So that my poor heroine found her origin, not in fable or romance, but in a physiological conception ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... businesses and difficult pleasures and noisy feasts—of course you can't understand what these things mean. Only a few of you who sit with folded hands and listen can know what it is. I saw a picture once—some people feasting in a forest, and suddenly a little faun jumped from a tree on to their table and waited for them to play with him. But some were eating and some drinking and some talking scandal, and they did not see him. Only a little boy and an old man—they were doing nothing—just ...
— The Wooden Horse • Hugh Walpole

... might have blessed your eyes with the sight of a young satyr who led seventeen kings his prisoners; and a Bacchis, who with her snakes hauled along no less than two and forty captains; a little faun, who carried a whole dozen of standards taken from the enemy; and goodman Bacchus on his chariot, riding to and fro fearless of danger, making much of his dear carcass, and cheerfully toping to ...
— Gargantua and Pantagruel, Complete. • Francois Rabelais

... been much desired to get you to send five gesse figures; the Venus, the Faun, the Mercury, the Cupid and Psyche, and the little Bacchus; you know the original is modern: if this is not to be had, then the Ganymede. My dear child, I am sorry to give you this trouble; order any body to buy them, and to Send them from Leghorn by the first ship. let me have the bill, ...
— The Letters of Horace Walpole, Volume 1 • Horace Walpole

... said Henry, his attention called off by a being with a face that half suggested a faun, and half suggested a flower,—a small, olive-skinned face crowned with purply black hair, that kept falling in an elflock over his forehead, and violet eyes set slant-wise. He was talking earnestly ...
— Young Lives • Richard Le Gallienne

... of pagan conceptions under such strange disguises, which degraded the "All-father" Odin into the ogre of the castle to which Jack climbed on his bean-stalk, and which blended the beneficent lightning-god Thor and the mischievous Hermes and the faun-like Pan into the grotesque Teutonic Devil, did not fail to impart a new and fearful character to the belief in werewolves. Lycanthropy became regarded as a species of witchcraft; the werewolf was supposed to have obtained his peculiar powers through the favour or connivance ...
— Myths and Myth-Makers - Old Tales and Superstitions Interpreted by Comparative Mythology • John Fiske

... the middle of a wood profound By chance I from the beaten pathway strayed: Where near me plaintive cries I hear resound, As of a woman who intreated aid. To a lake of crystal I pursue the sound, And, there, amid the waves, a naked maid Caught on the fish-hook of a Faun, survey, Who would ...
— Orlando Furioso • Lodovico Ariosto

... brimming with water crystal clear and fed by two streams that gushed from a pedestal of stone on the farther rim. "How beautiful!" she exclaimed. "How incredible! And there is to be a statue to complete it. A faun, a water nymph, some figure to symbolize the ...
— The Rim of the Desert • Ada Woodruff Anderson

... chisel before, but he chipped and cut away the marble so marvellously that life seemed to spring out of the stone. There was a marble head of an old faun in the garden, and this Michelangelo set himself to copy. Such a wonderful copy did he make that Lorenzo was amazed. It was even better than the original, for the boy had introduced ideas of his own and had made the laughing mouth a little open to show the teeth and the ...
— Knights of Art - Stories of the Italian Painters • Amy Steedman

... American history. His volumes of short stories charm old and young alike. His Book, "The Scarlet Letter," has made him famous. It was while he lived at Lenox, Mass., among the Berkshire Hills, that he published "The House of the Seven Gables." He visited Italy in 1857, where he began "The Marble Faun," which is considered his greatest novel. He died in 1864, and is buried in Concord, Mass. Hawthorne possessed a delicate and exquisite humor, and a marvelous felicity in the use of language. His style may be said to combine almost every excellence—elegance, simplicity, ...
— De La Salle Fifth Reader • Brothers of the Christian Schools

... Arise and fly The reeling Faun, the sensual feast; Move upward, working out the beast, And let the ...
— Birds and Poets • John Burroughs

... gray paper became glorified in Laura's eyes; and her one pleasure was to sit pale and still before her easel, day after day, filling her portfolios with the faces he had once admired. Her sisters observed that every Bacchus, Piping Faun, or Dying Gladiator bore some likeness to a comely countenance that heathen god or hero never owned; and seeing this, they privately rejoiced that she had found such ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various

... revels we will all unite, In song, and dance, and ancient pastimes bright; All cares forgotten, labours laid aside, Hearts turned to joy, and glad eyes open wide To watch, as when bright fay and sportive faun Wove their gay dances on the woodland lawn. Alas! the stress of higher education Has vanished these, the poet's fond creation. But nature—not to be denied—has sent Yet fairer forms for gladsome merriment, Who wait my nod. The beauty of the nation Are gathered ...
— Tom and Some Other Girls - A Public School Story • Mrs. George de Horne Vaizey

... obstructed by large trunks of dead trees. The marble statues on both sides of the way smiled, unconscious of their ruin. A nymph, with her broken hand near her mouth, made a sign to a shepherd to remain silent. A young faun, his head fallen to the ground, still tried to put his flute to his lips. And all these divine beings seemed to teach us to despise the injuries inflicted by time and fortune. We followed the banks of a canal where the rainwater nourished ...
— The Queen Pedauque • Anatole France

... seemed greatly moved and excited. I could see him tremble. It was very bitter to me to feel that on my account friends of a lifetime were to be separated. The big artist pulled at his beard, and with another of his faun-like looks, exclaimed,— ...
— A Romantic Young Lady • Robert Grant

... sceptre; at his feet the watchful eagle with expanded wings: stole over the spirit of the gazing pilgrim, each shape of that refined and elegant hierarchy made for the worship of clear skies and sunny lands; goddess and god, genius and nymph, and faun, all that the wit and heart of man can devise and create, to represent his genius and his passion, all that the myriad developments of a beautiful nature can require for their personification. A beautiful ...
— Tancred - Or, The New Crusade • Benjamin Disraeli

... our Park; Rogers, then working at the bronze doors of our capitol, and many other cultivated and agreeable people. Hawthorne passed a couple of winters among them, and the tone of that society is reflected in his "Marble Faun." He took Story as a model for his "Kenyon," and was the first to note the exotic grace of an American girl in that strange setting. They formed as transcendental and unworldly a group as ever gathered about a "tea" table. Great things were expected of them and their influence, but they ...
— Worldly Ways and Byways • Eliot Gregory

... squirrel. So much of his life had been passed out-of-doors with trees and skies, long dream-like days all alone sketching in solitary places, that he seemed as much a part of the woods as though he were a faun, and the lore of the elements, and all natural things—bugs and birds, all wildwood creatures—had passed into him with unconscious absorption. A sort of boyish unconsciousness, indeed, was the keynote and charm of his nature. A less sophisticated creature never followed the mystic calling of ...
— October Vagabonds • Richard Le Gallienne

... as you seem and as yourself you are (The faun's love that the viking's longing tinges), We welcome you, no lock is left nor bar,— You bring along the ...
— Poems and Songs • Bjornstjerne Bjornson

... god, yet he was great among the shepherds in Rome's pastoral beginnings, for he was the driver away of wolves, and on his day the early settlers ran round and round their sheepfold on the Palatine, all dressed in skins of fresh-slain goats, praising the Faun god, and calling upon him to protect their flocks. And in truth, as the winter, when wolves are hungry and daring, was over, his protection was a foregone conclusion till the cold days came again. The grotto dedicated to him ...
— Ave Roma Immortalis, Vol. 1 - Studies from the Chronicles of Rome • Francis Marion Crawford

... fighting to the death for her. A romantic story begun in a ball-room, she was not quite certain how. Morton remembered a drawing of fauns and nymphs. But there was hardly cover for a nymph to hide her whiteness. The ground was too open, the faun would soon overtake her. She could better elude his pursuit in the opposite wood. There the long branches of the beeches swept the heads of the ferns, and, in mysterious hollows, ferns made mysterious shade, places where nymphs and fauns ...
— Celibates • George Moore

... whom every faun and satyr flies For willing service; whether to surprise The squatted hare, while in half sleeping fits, Or upward ragged precipices flit To save poor lambkins from the eagle's maw; Or by mysterious enticement draw Bewildered shepherds ...
— Oak Openings • James Fenimore Cooper

... Pan, or a faun, or any other woodland thing, with no sound of his approach, not even that of oaten pipes. When she raised her eyes he was standing in a patch of bracken. She had been stooping to gather the fruit that clustered on a long, ...
— The Side Of The Angels - A Novel • Basil King

... as the Street of the Baths, continued by the Street of Fortune, is divided, by six longitudinal and one transverse street, into what the Romans called islands, or insulated masses of houses. Two of these are entirely occupied by the houses of Pansa and of the Faun, which, with their courts and gardens, are about one hundred yards long ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy

... was gazing into the garden. From his seat he could see the central clump of verdure, some lofty palms which stood in relief against the grey hangings with which the garden was decorated all round. A circle of statues was set out there; and you could see the back of a faun; the profile of a young girl with full cheeks; the face of a bronze Gaul, a colossal bit of romanticism which irritated one by its stupid assumption of patriotism; the trunk of a woman hanging by the wrists, some Andromeda of the Place Pigalle; and others, ...
— His Masterpiece • Emile Zola

... rather the sonorous bow of Apollo, and the tranquil brow of the Olympian Jove. His type is that of the Satyr in the "Legende des Siecles," who crushes Olympus, a type midway between the ugliness of the faun and the overpowering sublimity of the ...
— Amiel's Journal • Mrs. Humphry Ward

... down from the battlements upon the assailants. On the strength of this passage topographers have been in the habit of attributing to the mausoleum all the works of statuary discovered in the neighborhood; like the Barberini Faun now in Munich, the exquisite statue of a River God described by Cassiano dal Pozzo, etc., as if such subjects were becoming a house of death. The mausoleum of Hadrian formed part of one of the largest and noblest cemeteries of ancient Rome, crossed by the Via Triumphalis. ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various

... days, To its stern crucible hath brought at last, The cherished shapes that all so fondly gaze Upon us from the dim poetic past! Else might these moonlit prairies show at dawn, The dew-swept circle of the elfin dance— These woodlands teem with sportive fay and faun— These grottoes glimmer with sweet Echo's glance. Perchance a future Homer might have wrought From out the scattered wreck of ages fled, Some long lost Troy, where mighty heroes fought, And made the ...
— Poems • Sam G. Goodrich

... son, Soren, who never allowed himself to be seen; he moved about from choice like a thief in the night. If the master—as he occasionally did—seized him and pulled him into the workshop, he was like a scared faun strayed from his thickets; he would stand with hanging head, concealing his eyes, and no one could get a word from him; and when he saw an opportunity, ...
— Pelle the Conqueror, Complete • Martin Andersen Nexo

... going back she might have had was lost long ago; however little she might have meant to range so far, she was now beyond any turning. No wood creature, no skipping faun or startled dryad dancing under the moon could have belonged more utterly than she to the fragrant, mysterious world around her. The bright, bustling life of every day, its clatter of food and drink, its smarts and fatigues, its settled routine of work and play, all seemed ...
— While Caroline Was Growing • Josephine Daskam Bacon

... geometrically-cut paths of hard-beaten sea-shells, white as snow, stood the statue of a faun, a nymph, or dryad, in Parian marble, holding a torch, which illuminated a great vase running over with fresh, blooming flowers, presenting a vista of royal magnificence which bore testimony to the wealth and ...
— The Golden Dog - Le Chien d'Or • William Kirby

... reflectively, "that's it." She crouched on a hassock at Dorothea's feet. "How pretty you are, how sweet," she said in her bass voice: "God, what pretty little feet you have! And what smooth white skin! Marble's got nothing on you." And with the carnal concupiscence of a faun in woman's form she took Dorothea's leg in her hand and stroked the skin as far ...
— The Goose Man • Jacob Wassermann

... arrests your attention, for what have the Sirens to do in these inland regions? Nothing whatever, unless they existed as ornamental statuary: statuary such as frequently gives names to streets in Italy, witness the "Street of the Faun" in Ouida's novel, or that of the "Giant" in Naples (which has now been re-christened). It strikes me as a humble but quite scholarly speculation to infer that, the chief decorative uses of Sirens being that of fountain deities, this obscure roadway keeps alive the tradition ...
— Old Calabria • Norman Douglas

... his Golden Proverbs beneath the rocks. A second group, more toward the centre of the picture, is composed of country people, shepherds, huntsmen, and cultivators, with here and there a warrior, hearkening eagerly to the bard; among them a faun, with pointed ears and mocking mein, listens to the unaccustomed tones. On an elevation at the left, this division of the picture is completed by a group which represents the atelier of a sculptor—the master, with two youths and a maiden about him, is at work on a statue of Achilles—but ...
— The International Monthly, Volume 5, No. 3, March, 1852 • Various

... Pinacoteca, those chubby cherubs and buxom nymphs, those Satyrs and S. Sebastians, to come down from the walls and live with us? The grace of Raphael's Galatea, the inspiration of Michelangelo's Genii of the Sistine, the mystery of Lionardo's Faun-S. John, the wilding grace of Correggio's Diana, the voluptuous fascination of Titian's Venus, the mundane seductiveness of Veronese's Europa, the golden glory of Tintoretto's Bacchus,—all have evanesced, and in their place are hard mechanic figures, excellently drawn, correctly posed, ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds

... that is, equally great, even if different. Some shades, beautiful and decorative by daylight, when illuminated, lose their colour and become meaningless blots in a room. We have in mind a large silk lamp shade of faded sage green, mauve, faun and a dull blue, the same combination appearing in the fringe—a combination not only beautiful, but harmonising perfectly with the old Gothic tapestry on the nearby wall. Nothing could be more decorative in this particular room during the day than the shade described; but were it not for ...
— The Art of Interior Decoration • Grace Wood

... alarm, returned cautiously to abduct the tobacco pouch. If any familiar had failed to detect Lance Harriott in this hideous masquerade of dust and grime and tatters, still less would any passing stranger have recognized in this blonde faun the possible outcast and murderer. And when with a swirl of his spattering sleeve he drove back the gopher in a shower of spray and leaped to the bank, he seemed to have accepted his felonious hiding-place as ...
— Frontier Stories • Bret Harte

... and forests and mountains; while the Fauns, accoupling with the Nymphs, formed light-footed bands that roamed the woods together. Meantime I spent a happy life, tasting at will the clusters of the wild grapes and the lips of the laughing Faun-girls. I enjoyed deep and restful slumbers amid the lush grass; and I would celebrate on my rustic flute Jupiter, Saturn's successor, for it is of my nature to praise the gods, masters ...
— The Well of Saint Clare • Anatole France

... ["The Marble Faun" takes up this description of the church and of the dead monk, which we really saw, just as recounted, even to the sudden stream of blood which flowed from the nostrils, as we looked at ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne

... was only a lad, being but sixteen years of age—was not sorry at their departure, and had flung himself back with a deep sigh of relief on the soft cushions of his embroidered couch, lying there, wild-eyed and open-mouthed, like a brown woodland Faun, or some young animal of the forest newly ...
— A House of Pomegranates • Oscar Wilde

... is, I did, bowed under my sweating load of paraphernalia. He skipped in advance like some degenerate twentieth century faun, playing on his pipes the unmitigated melodies ...
— Police!!! • Robert W. Chambers

... risen youth Sang, globed in fire, her golden canticle. I dare not look again; another gaze Might drive me to the wavering coppice there, Where bat-winged madness brushed me, the wild laugh Of naked nature crashed across my blood. So rank it was with earthy presences, Faun-shapes in goatish dance, young witches' eyes Slanting deep invitation, whinnying calls Ambiguous, shocks and whirlwinds of wild mirth,— They had undone me in the darkness there, But that within me, smiting through my lids Lowered to ...
— Gloucester Moors and Other Poems • William Vaughn Moody

... confining his fiction to his own environment of time and place. Scott, after all, was less successful with his medieval kings and knights than with his homely and simple Scottish characters. Hawthorne, in "The Marble Faun," lost a certain completeness of effect by stepping off his own New England shadow. "Dr. Jekyll and Mr. Hyde," with its subversion of the actual, is the sort of story that might be set out of space, out of time; but Stevenson enhanced the effect of its imaginative plausibility by setting ...
— A Manual of the Art of Fiction • Clayton Hamilton

... neck, and, closing her eyes, tightly pressed her face against my shoulder. So we went down a long slope into a valley, and there in the dimness I almost walked into a little river. This I waded, and went up the opposite side of the valley, past a number of sleeping houses, and by a statue—a Faun, or some such figure, minus the head. Here too were acacias. So far I had seen nothing of the Morlocks, but it was yet early in the night, and the darker hours before the old moon rose ...
— The Time Machine • H. G. (Herbert George) Wells

... had slipped back and showed her short brown curls of hair, strong, regular, features, and flexile scarlet mouth, laughing upwards like a faun's. She had sweet dark eyes, a little ...
— Tales from Many Sources - Vol. V • Various

... unconscious luxury that threatened him. There were relics from Francey's old home, trophies from her Italian wanderings, books that his hands itched just to touch, and things of strange troubling beauty. A bronze statue of a naked faun stood in the corner where the light fell upon it, and seemed to gather into itself everything that he feared—a joyous dancing ...
— The Dark House • I. A. R. Wylie

... The Marquis of Stafford, unfortunately, could not recollect the attitude of any one antique figure, but was found practising having the head of the Dying Gladiator, the body of the Hercules, one leg of the Apollo, and the other of the Dancing Faun, turned the wrong way. Lord Mulgrave, having a small head, thought of representing the Torso, but he did not know what to do with his legs, and was afraid that, as Master of the Ordnance, he could not dispense ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse

... scarlet-costumed contadinas, Swiss guards, German artists, English lords, and herdsmen from the Campagna, all "joined hands in the dance" which the musician himself led with the frisky, frolicsome step of the mythical faun. ...
— A Face Illumined • E. P. Roe

... stood in the Caron reception room staring with some dissatisfaction across the breadth of green lawn where the dryad and faun statues held vases ...
— The Bondwoman • Marah Ellis Ryan

... from the open door of the opposite studio, but the faun-like face of Pierce Kinsella, grinning delightedly at the unexpected encounter. He proved himself equal to the occasion and said in a low and ...
— Molly Brown's Orchard Home • Nell Speed

... pleasing slyness, and gave me a dunt with his elbow on the side, a bit of the faun, a bit of the father, a bit ...
— John Splendid - The Tale of a Poor Gentleman, and the Little Wars of Lorn • Neil Munro

... few minutes she stood dreaming; dreaming of the old boarding-house, and the little furniture clerk with his eager, faun-like smile. And for the first time she let her fancy play with the thought of what life might be for the ...
— Martie the Unconquered • Kathleen Norris

... convey to you the dance of her! The silver scheherazade of poplar leaves when the breeze is playful? No. She was far nimbler than a leaf tugging at its stem. A young faun on the brink of a pool, startled at himself? Yes, a little. Because Marylin's head always had a listening look to it, as if for a message that never quite came through to her. From where? Marylin didn't know and didn't know that she didn't know. Probably ...
— The Vertical City • Fannie Hurst

... at "The Hill," my father devotes all his talents to raisin' runnin' hosses, an' the old faun would have been a heap lonesome if thar's fewer than three hundred head a nickerin' about the barns an' pastures. Shore! we has slaves too; we ...
— Wolfville Days • Alfred Henry Lewis

... interior, and furnished with so much richness and elegance, that it might have been considered the first edifice in Rome, next to the capitol, particularly for its fine collection of statues. The most remarkable among them were the Fighting Gladiator; Silenus and a Faun; Seneca, in black marble, or rather a slave at the baths; Camillus; the Hermaphrodite; the Centaur and Cupid; two Fauns, playing on the flute; Ceres; an Egyptian; a statue of the younger Nero; the busts ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner

... beggar can stand and rattle his tin box on the summit, and if he could, there is no passenger to heed or hear him; the Sabine model belle is not there to offer herself to the first artist who wants a madonna or a saint, nor amateur bandits, nor faun-like children playing on the steps; even the patient goats, long since milked, lie panting under the convent wall; not a dog is visible on the large immondezaro in front of it; and had we not had already painful experience of the heat ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various

... sort of creature you are. A thing with a goat's beard and goat-legs. Yes, and the faun has horns too! ...
— When We Dead Awaken • Henrik Ibsen

... deserted baby roared lustily, and when his father, Hermes, examined him he found a rosy-cheeked thing with prick ears and tiny horns that grew amongst his thick curls, and with the dappled furry chest of a faun, while instead of dimpled baby legs he had the strong, hairy hind legs of a goat. He was a fearless creature, and merry withal, and when Hermes had wrapped him up in a hare skin, he sped to Olympus and showed his fellow-gods the ...
— A Book of Myths • Jean Lang

... haul Paul flaw faun yawn bawl thaw slaw fault hawk daub Maud fraud fawn gauze vault brawl cause dawn drawl pawn lawful crawl awful pauper straw brawn drawn pause awning ...
— The Beacon Second Reader • James H. Fassett

... large, determined features. At a first glance he looked "Napoleonic." Perhaps this was intentional on his part. His skin was brown, and appeared to be unusually dry. He wore the tiny beard noticed by Charmian, and a carefully trained and sweeping moustache. His ears slightly suggested a faun. His hands were nervous, and showed energy, and the tendency to grasp and to hold. His voice was a thin tenor, with occasional, rather surprisingly deep chest notes, when he wished to be specially emphatic. His smart, well-cut clothes, and big ...
— The Way of Ambition • Robert Hichens

... mighty Sire addressed They all obeyed his high behest, And thus begot in countless swarms Brave sons disguised in sylvan forms. Each God, each sage became a sire, Each minstrel of the heavenly choir. Each faun, of children strong and good Whose feet should roam the hill and wood. Snakes, bards, and spirits, serpents bold Had sons too numerous to be told. Bali, the woodland hosts who led, High as Mahendra's lofty head, ...
— Hindu Literature • Epiphanius Wilson

... it. How shall I describe him? A sturdy, thick-set figure, inclining to rotundity, yet athletic; a face extraordinarily mobile; bushy, grey eyebrows; eyes at once deeply and radiantly human, yet holding the primitive faun in their coverts; a broad mouth made for broad, natural laughter, hearty without lewdness. "There are nice Rabelaisians, and there are nasty; but the latter are not Rabelaisians. I have an idea," he claimed, ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch

... early days, we moved in charmed woods, Where once, at dusk, she piped against a faun, And one warm dawn a tree became a nymph Listening; and trembled; and Life laughed and passed. And once we came to a great stream that bore The stars upon its bosom like a sea, And ships like stars; so to the ...
— Artemis to Actaeon and Other Worlds • Edith Wharton

... wonderful days. For that was a house of surprises, a house full of laid-by things. One never knew what one was going to find. One morning it might be a Ridgway jug all delicate vine leaves and faun heads, or an old blue-and-white English platter, or a piece of fine salt-glaze. On the top shelf of a long-locked closet, pushed back in the corner, you'd discover a full set of the most beautiful sapphire glassware, and a pagoda work-box with ivory ...
— A Woman Named Smith • Marie Conway Oemler

... you're going to say, Stephen. The Dancing Faun and the Frieze of the Parthenon express movements. But they do nothing of the sort. They express movements arrested at a certain point. They are supposed to represent nature, but they do not even do that, because arrested motion ...
— The Tree of Heaven • May Sinclair

... which Sarka was a faun and Jaska a nymph, they talked together in a language which only these two comprehended—a language which dealt in figures of speech, a language which depended upon handclasps for periods, glances of the eyes for commas, and the singing of their ...
— Astounding Stories of Super-Science, August 1930 • Various

... boy of nearly the same age, whose destiny was indissolubly linked with the Christ. Following the Gospel description of the Baptist when he came forth from the desert "clothed with camel's hair and with a girdle of skin about his loins," the artist has represented the child John as a dark, faun-like boy, with a little skin garment girt about him,—a picturesque figure to contrast with the fair beauty of ...
— Child-life in Art • Estelle M. Hurll

... occupied gilded brackets on the walls, or crowded the statuettes upon the floor; a laughing faun held back the silken curtain that concealed the entrance to that inner room where the goddess herself presided; a soft mellow light fell upon these treasures, making their beauty ...
— The Old Countess; or, The Two Proposals • Ann S. Stephens

... especially in making war; hence to have prophetic dreams. All of this was to be attained by m'teoulin, or magic. The highest ambition of an Indian was to become a Megumoowessoo, a mystical being, which is explained differently as fairy, faun, sylvan deity, but which means one who enjoys all the highest privileges of humanity allied to the supernatural. This is what the hero of this story gets by favor ...
— The Algonquin Legends of New England • Charles Godfrey Leland

... night's and the dawn's, Conceals not, reveals not for man, On the slopes of the herbless and blossomless lawns, Some track of a nymph's or some trail of a faun's To the place of the slumber ...
— Astrophel and Other Poems - Taken from The Collected Poetical Works of Algernon Charles - Swinburne, Vol. VI • Algernon Charles Swinburne

... protruding from either side of his head. His feet, in tan laced shoes, were ordinary feet, a little more than ordinarily expert, perhaps, in the convolutions of the dance at Englewood Masonic Hall, which is part of Chicago's vast South Side. No; a faun, to Miss Bauers, Miss Olson, Miss Ahearn, and just Gertie, was one of those things in ...
— Gigolo • Edna Ferber

... beside the precipice Or dips her shining ankles in the lymph: But, just when she must perish or be his, Heaven puts an arm out. She is safe. The shore Gains some new fountain; or the lilied lawn A rarer sort of rose: but ah, poor Faun! To thee she shall be ...
— Book of English Verse • Bulchevy

... canvases, some unfinished. Most were of nymphs and winged elves, but there were three landscapes. One of these, a stream reflecting a high spring sky between banks of young meadow grass, showed a little faun skipping merrily in the distance. The atmosphere was indescribably light-hearted. Mary smiled as she looked at it. The other two were empty of figures; they were delicately graceful and alluring, but there was something lacking in them—-what, ...
— The Nest Builder • Beatrice Forbes-Robertson Hale

... the wanton faun And agile as the Hooluck gibbon, The children "walked" thee on the lawn, Tied with a bow of orange ribbon; And aye as irksomer grew the task Of fending off the Hun garotters In our mind's eye—if you must ask— We ate thee up from tail ...
— Punch, or the London Charivari, Vol. 156, March 19, 1919 • Various

... controversy on the soul's fate, and offers in its pertinent indefiniteness a vast solace to those who are trying to balance the bewildering account of virtue with sin. Hawthorne found that here was a partial solution of the problem, and he enlarged upon it, toward the end of his life, in "The Marble Faun." But it was a second and deeper thought that furnished him the chief compensation. In one of the "Twice-Told Tales," "Fancy's Show-Box," he deals with the question, how far the mere thought of sin, the incipient desire to commit it, may injure ...
— A Study Of Hawthorne • George Parsons Lathrop

... Ages and the Renaissance have been gathered principally from the suppressed churches and convents. The most noticeable are: the mausoleums of Pope UrbainV., of Cardinals Lagrange and Brancas, and of Marshal Palice. Within railings are: Cassandra by Pradier, afaun by Brian, and a bather by Esparcieux, all in the finest white marble. Upstairs is a valuable collection of Roman glass and bronzes, and 20,000 coins and medals, including a complete set of the seals and medals of the Popes ...
— The South of France—East Half • Charles Bertram Black

... suggesting that he moved on open turf where a sudden running jump would land him, not into a motor-bus, but into a mossy covert where ferns grew. There was a certain fling of the shoulders that had an air of rejecting streets and houses. Some fancy, wild and sweet, caught me of a faun passing down through underbrush of woodland glades to drink at a forest pool; and, chance giving back to me a little verse of Alice Corbin's, I turned and murmured it while ...
— The Centaur • Algernon Blackwood

... Why, he always seems like a faun in flannels! I hope he's found a dryad. There might easily be one left in ...
— The Reef • Edith Wharton

... clear gaze, the same Still darts out faun-like from the half-ruin'd fac Questing and passive ...
— Hugh Selwyn Mauberley • Ezra Pound

... on, "I'd like to see this guy Elliott. Anybody who would draw a picture like that. Hold your horses, Mike, here's another. 'The Faun." What's a faun, Mike? I guess he means fern. It looks ...
— A Thousand and One Afternoons in Chicago • Ben Hecht

... had said good-bye to Salisbury ("good-bye" for me, "au revoir" for the others, perhaps), and were kinematographing in and out of charming scenery, lovelier perhaps than any we'd seen yet. Under green gloom of forests, where it seemed a prisoned dryad might be napping in each tree, and where only a faun could have been a suitable chauffeur; past heatherland, just lit to rosy fire by the sun's blaze; through billowy country where grain was gold and silver, meadows were "flawed emeralds set in copper," and here and there a huge dark blot meant a ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson

... models of earlier sculptors made by Lysippos were of sufficient importance to give rise to a school which was carried on by his sons and others, producing among many famous works the Barberini Faun, now at the Glyptothek, Munich. The enormous Colossus of Rhodes was also the work of a ...
— TITLE • AUTHOR

... "I faun' a buik upo' the links, my lord, which was like to be hers, wi' the twa beasts 'at stans at yer lordship's door inside the brod (board) o' 't. An' sae it turned oot to be whan I took it up to the Hoose. There's the half croon she ...
— Malcolm • George MacDonald

... had seen much of the country; now he determined to see more of Europe. The family travelled through France to Italy, which they greatly enjoyed, staying there till 1859. For some months they had occupied the old villa of Montauto, where Hawthorne composed most of "The Marble Faun." The illness of Una compelling them to seek a different climate, they returned to England, where he finished the book, which was published the next year. "The Marble Faun" is "an analytical study of evil"; but despite the ...
— The Short-story • William Patterson Atkinson

... heavy eyelids, eyes of a periwinkle blue, a delicately carved nose with sensitive nostrils; her temples were slightly hollowed: she had a capricious chin, and a mobile, witty, and rather sensual mouth, turning up at the corners, and the Parmigianninesque smile of a pure faun. She had a long, delicate throat, a pretty waist, a slender, elegant figure, and a happy, pensive expression in her girlish face, in every line of which there was the disturbing poetic mystery of the waking spring,—Fruhlingserwachen. Her name ...
— Jean-Christophe Journey's End • Romain Rolland

... and into the famous Uffizi Gallery, founded by the Medici, and one of the most precious collections in the world. In the Tribune, the inner sanctuary of the great temple of art ("the richest room in all the world, a heart that draws all hearts to it") I saw the Venus de Medici, the Dancing Faun, the Apollino, the Wrestlers, and other masterpieces of ancient sculpture; also, among the paintings, some of the best works of Raphael, Angelo, Titian and others. I must however admit that the out-door scenery of Florence charmed me ...
— The Youthful Wanderer - An Account of a Tour through England, France, Belgium, Holland, Germany • George H. Heffner

... smart little bow tie added not a little. He was trim, dapper, in spite of the fact that his standing collar was a size or two too large; in spite, too, of the tiny, well-trimmed goatee. He looked like a faun in trouble. With a shadow of distress crossing his face, he gave ground and backed away, the lamp tipping perilously in his grasp. Joe sprang forward and rescued it, setting it ...
— Stubble • George Looms

... scrap of gratitude towards the one or two friends who had helped him disinterestedly, but his most intimate associates could not have guessed at the existence of such feelings. Tony Luton was just a merry-eyed dancing faun, whom Fate had surrounded with streets instead of woods, and it would have been in the highest degree inartistic to have sounded him for a ...
— When William Came • Saki

... why, before the marble figure of the dancing Faun. The rains had darkened his stony body and rusted the locks of his hair that curled like hyacinths, and his face, furrowed by streams of water, seemed to have grown longer since the spring, but in his eyes there gleamed and burned that same mockery and his crooked legs continued their ...
— The Comedienne • Wladyslaw Reymont

... fast in those eventful days. On the thirteenth of April Ann Penhallow sat in the spring sunshine on the porch, while Leila read aloud to her with entranced attention "The Marble Faun." The advent of an early spring in the uplands was to be seen in the ruddy colour of the maples. Bees were busy among the young flowers. There was noiseless peace ...
— Westways • S. Weir Mitchell

... her bedroom and arrayd herself in a grass green muslin of decent cut a lace scarf long faun colored kid gloves and a muslin hat to correspond. She carried a parasole in one hand also a green silk bag containing a few stray hair pins a clean handkerchief five shillings and a pot of ruge in case. She looked a dainty vishen [Pg 80] with her fair hair waving in the breeze and ...
— The Young Visiters or, Mr. Salteena's Plan • Daisy Ashford

... overhead, and the cool waters playing over his white body. When he emerged, covered with sparkling drops, he remembered that he had no towel; so there was nothing to be done but to stagger about and disport himself like a naked faun among the buttercups and bulrushes, until the sun had dried him. As soon as he was dressed, he looked at his watch, and found that it was nearly twelve. Then he consulted a little time-table, and made a rapid calculation. ...
— Austin and His Friends • Frederic H. Balfour

... his verses, neither Goethe nor Wordsworth could help him, though he followed each in turn, and when he seeks to mourn for Thyrsis or to sing of the Scholar Gipsy, it is the reed that he has to take for the rendering of his strain. But whether or not the Phrygian Faun was silent, I cannot be. Expression is as necessary to me as leaf and blossoms are to the black branches of the trees that show themselves above the prison walls and are so restless in the wind. Between my art and the world there is now a wide gulf, but between ...
— De Profundis • Oscar Wilde

... stretched with this colourful cloth, and the armchairs and the couches were to match. The drawing-room was in cardinal red, hung from the middle of the ceiling and looped up to give the appearance of a tent; a faun, in terra cotta, laughed in the red gloom, and there were Turkish couches and lamps. In another room you faced an altar, a Buddhist temple, a statue of the Apollo, and a bust of Shelley. The bedrooms were made unconventual with cushioned seats and rich canopies; and in picturesque ...
— Confessions of a Young Man • George Moore

... Also a Dancing Faun, Hewn with the lithe grace of Praxiteles; Globed pearls to please A sultan; golden veils that drop like lawn — How happy I could be with but a tithe Of your possessions, fortunate one! ...
— Young Adventure - A Book of Poems • Stephen Vincent Benet

... well as he would have understood Mary, Queen of Scots, if he had been married to that lady. Sarah Austen had a wild, shy beauty, startled, alert eyes like an animal, and rebellious black hair that curled about her ears and gave her a faun-like appearance. With a pipe and the costume of Rosalind she would have been perfect. She had had a habit of running off for the day into the hills with her son, and the conventions of Ripton had ...
— The Crossing • Winston Churchill

... princess," he said, swiftly, "but Max suddenly made possessor of a soul! I've always fancied Max a mythical being—a creature of eternal youth, fascinating as he is elusive—a faun-like creature, peeping into the world from some secret grove, ready to dart back at any human touch. Max's lips were made for laughter; his eyes are ...
— Max • Katherine Cecil Thurston

... Count Caloveglia. He was referring to the Locri Faun, a wonderful antique which had recently been found on his property near the town of that name on the neighbouring mainland, and was about to be secretly smuggled out of Italy. He smiled in winning fashion ...
— South Wind • Norman Douglas

... by your care enriched, the aspiring clerk Quits the close alley for the breezy park, And Dolly's chops and Reid's entire resigns For odorous fricassees and costly wines; And you, great pair, through Windsor's shades who rove, The Faun and Dryad of the conscious grove; All, all inspire me, for of all I sing, Doctor and Jew, and M—s and K—g. Thou, to the maudlin muse of Rydal dear; Thou more than Neptune, Lowther, lend thine ear. At Neptune's voice the horse, with flowing mane And pawing hoof, sprung from the ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 3. (of 4) • Thomas Babington Macaulay

... this perambulating skeleton, came the weirdest creature I have ever beheld. He was a twisted oaf of a man. Face and body were twisted as with the pain of a thousand years of torture. His was the face of an ill-treated and feeble-minded faun. His large black eyes were bright, eager, and filled with pain; and they flashed questioningly from face to face and to everything about. They were so pitifully alert, those eyes, as if for ever astrain to catch the clue to some perplexing and threatening ...
— The Mutiny of the Elsinore • Jack London

... economical, but always suggestive to imagination. A visit to a genuinely palatial hotel in Bath described by Mrs. Hawthorne. Redcar and Hawthorne's enjoyment of it reproduced by descriptions and diaries. "The Marble Faun" worked out and finished in this ...
— Memories of Hawthorne • Rose Hawthorne Lathrop

... admitted, and it presented no difficulty to those who remembered that the first appearance of that personage on earth was as a serpent, and that on one occasion a legion of devils had entered into a herd of swine. Saint Jerome also assures us that in the desert St. Anthony had met a centaur and a faun, a little man with horns growing from his forehead, who were possibly devils, and at all events, at a later period, the "Lives of the Saints" represent evil spirits in the form of animals as not infrequent. Lycanthropy, however, or the transformation of witches ...
— The Necessity of Atheism • Dr. D.M. Brooks

... made by the assembled flowers, And light and fragrance laughing 'mid the bowers, And ripeness busy with the acorn-tree. Such strains, perhaps, as filled with mute amaze— The silent music of Earth's ecstasy— The Satyr's soul, the Faun of classic days. ...
— Weeds by the Wall - Verses • Madison J. Cawein

... Broadway, with brief dazzling flights into the provincial towns of Chicago, Boston, Washington, and Philadelphia, Mr. Gerald Height had been the reigning beauty, and he well deserved it. He was both slender and broad, with the grace of a faun in young manhood, and with the deviltry of a satyr of more advanced age in his yellow-green eyes, which tilted under high black brows that were arched penciled bows across his forehead. His lips were full and red, but ...
— Blue-grass and Broadway • Maria Thompson Daviess

... Louisiana, if I mistake not—who had the reputation of being a great heiress, and who was, of course, beset by a host of admirers. There was something very attractive in her air, and Mr. Irving was never tired of gazing on her as she walked, with what he called a "faun-like step," across the lawn, or up and down the corridors. Her eyes too—"dove-like," he termed them—were his special admiration. He watched with an amused interest the varying fortunes of the rival lovers, and often met me with—"Well, who is in favor to-day?" ...
— Dream Life - A Fable Of The Seasons • Donald G. Mitchell

... the jewel. How I wish the Profile had taken a fancy to Jack! I'm sure there couldn't be a better modern St. George. Alas, however, no flash of divination came to him, and the only supernatural adventure we had in these faun and fairy haunted woods was to catch a glimpse of the White Doe of the mountains which appears to travellers now and then, bringing them good luck. Of course some people would say it was just an ordinary, cafe-au-lait-coloured ...
— The Lightning Conductor Discovers America • C. N. (Charles Norris) Williamson and A. M. (Alice Muriel)

... babe at rest on its mother's breast, On that an island lay— So still and fair reigned Nature there— So bright the glist'ring spray, You might have thought the scene had been wrought By spell of faun or fay. ...
— The Mirror of Literature, Amusement, and Instruction, No. 360 - Vol. XIII. No. 360, Saturday, March 14, 1829 • Various

... idleness from one monastery to another, and leaving on their way a trail of thieving, revelry and worse. Once or twice the Wild Woman had nearly fallen into their hands; but had been saved by her own quick wit and skill in woodcraft. Once, so she assured the Hermit, she had found refuge with a faun and his female, who fed and sheltered her in their cave, where she slept on a bed of leaves with their shaggy nurslings; and in this cave she had seen a stock or idol of wood, extremely seamed and ancient, before which the wood-creatures, when they ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton

... Sire addressed They all obeyed his high behest, And thus begot in countless swarms Brave sons disguised in sylvan forms. Each God, each sage became a sire, Each minstrel of the heavenly quire,(112) Each faun,(113) of children strong and good Whose feet should roam the hill and wood. Snakes, bards,(114) and spirits,(115) serpents bold Had sons too numerous to be told. Bali, the woodland hosts who led, High as Mahendra's(116) lofty head, ...
— The Ramayana • VALMIKI

... came from the sergeant-major who acted as chief clerk to General Bramble. He was a much-beribboned old warrior with a head like a faun and three red hairs on top of it. He had the respectful familiarity of the underling who knows he is indispensable, and he used to come in at all times of the day ...
— General Bramble • Andre Maurois

... snow! Great Tku-Skan-Skan [51] will testify! And dares the tall coward to say me no?" But the sullen warrior made no reply. She turned to the chief with her frantic cries: "Wakwa—my Father; he lies!—he lies! Wiwst is pure as the faun unborn; Lead me back to the feast, or Wiwst dies!" But the warriors uttered a cry of scorn, And he turned his ...
— Legends of the Northwest • Hanford Lennox Gordon

... the flat sky sharply, and he laid his priest's clothes in the middle of a patch of white sand where they could be easily seen. Placing the Roman collar upon the top, and, stepping from stone to stone, he stood on the last one as on a pedestal, tall and gray in the moonlight—buttocks hard as a faun's, and dimpled like a faun's when he draws himself up before plunging after ...
— The Lake • George Moore



Words linked to "Faun" :   Roman deity



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