"Entablature" Quotes from Famous Books
 ... charmed with its nudity, its stupendous candour, its chasteness recalling that of a virgin child, for there was not a piece of sculpture, not an ornament that would have uselessly loaded it. The roofs of the nave, transept, and apse were of equal height above the entablature, which was decorated with simple mouldings. In the same way the apertures in the aisles and nave had no other adornments than archivaults with mouldings, rising above the piers. He stopped in thought before the great coloured ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... objects, extending from the edge of the platform to an entrance of the palace, and probably (as Mr. Layard suggests) supported the wooden pillars of a covered way by which the palace was approached on this side. Above the pillars the temple (No. V.) exhibits a heavy cornice or entablature projecting considerably, and finished at the top with a row of gradines. (Compare No. II.) At one side of this main building is a small chapel or oratory, also finished with gradines, against the wall of which is a representation ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria • George Rawlinson
... were clothed with ivy, wild shrubs, and various flowering plants. Broad, shallow steps led up to the house, which was all of the same material—reddish-gray stone; and the main entrance was beneath a lofty portico, the sculptured entablature of which was supported by sixteen huge caryatides, standing on round massive pedestals. The building was not high as a castle or cathedral; it was a dwelling-place, and had but one floor, and resembled a ruin to my eyes because of ...
— A Crystal Age • W. H. Hudson
... cool grayish white in effect, for its mosaic work was all of pale neutral tints. Above it the background was all white,—white marble walls, the white marble polished pillars of the peristyle, white marble entablature above them, the general whiteness emphasized by the mere streak of red tiled roof visible against the intense ...
— The Unwilling Vestal • Edward Lucas White
... to the flat roofs of the joiners' bazaar, built close against the southern wall of the Mosque. We walk across the roofs and find the ancient south door of the Mosque, now filled up with masonry, and almost completely concealed by the shops above which we are standing. Only the entablature is visible, richly carved with garlands. Kneeling down, we read upon the lintel the Greek inscription in uncial letters, cut when the Mosque was a Christian church. The Moslems who are bowing and kneeling and stretching out their hands toward ...
— Out-of-Doors in the Holy Land - Impressions of Travel in Body and Spirit • Henry Van Dyke
... others. Were it not that land in the banking district is so valuable, and that the need of upstair offices is so great, one might be tempted to regret the demolition of the graceful money temples occupied by three of these corporations on the north side of Wall Street. In each of them the entablature rested upon two fluted stone pillars with Doric capitals, in addition to the supports of the side walls. Between the steps and the doors of the temple extended a marble-paved court which often served ...
— The Arena - Volume 18, No. 92, July, 1897 • Various
... windows of the principal story, to which they form handsome balconies. The elegant windows of this and the principal chamber story are of the Ilissus Ionic, and are decorated with a colonnade, completed with a well-proportioned entablature from the same beautiful order. Mr. Elmes, in his critical observations on this terrace, thinks the attic story "too irregular to accompany so chaste a composition as the Ionic, to which it forms a crown;" he likewise objects to the ...
— The Mirror of Literature, Amusement, and Instruction, No. 358 - Vol. XIII, No. 358., Saturday, February 28, 1829 • Various
... the Christian basilica at first underwent were simple, viz., the use of the arch instead of the straight lintel, or the placing of an entablature between the columns; a little later, about the tenth century, the old wooden roof of the basilica gave place to the arched roof or vaulting, so called from its being composed of a series of vaults. The styles called Romanesque and ...
— Our Homeland Churches and How to Study Them • Sidney Heath
... all what sort of beings they have to deal with, or, if they know, do not consider. They expect from them what is not to be obtained, and then are disappointed and vexed at the failure. It is as if a carpenter should attempt to support an entablature by pillars of wood too small and weak for the weight, and then go on, from week to week, suffering anxiety and irritation as he sees them swelling and splitting under the burden, and finding fault with the wood instead of taking it to himself; ...
— The Teacher • Jacob Abbott
... thrown entirely open on public occasions. The wooden columns had no capitals, and the only architrave was the horizontal beam that supported the rafters of the roof. This, in direct contradiction to the established mode in European architecture, was the uppermost member of what might be called the entablature or frize, which was a broad skreen of wood, fastened between the upper part of the columns, painted with the most vivid colours of blue, red, and green, and interlarded with gilding; and the whole had net-work of wire stretched ...
— Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey thr • John Barrow
... hand of the church is a very interesting doorway, clearly Classic. Two fluted Corinthian pillars are let into the wall, and support an entablature. Between these a Romanesque doorway has been inserted, with a twisted pillar on one side, and another ...
— In Troubadour-Land - A Ramble in Provence and Languedoc • S. Baring-Gould |
